Take any line of manual focus 35mm reflex camera from the eighties and mid-nineties, Leica R included. Comparable models will be worth less, on the second hand market, than an Olympus OM-4T, not to mention the OM-3 and its ultra-rare and ultra-expensive offspring, the OM-3T. Why, in spite of their very serious limitations, are the single digit OM cameras so sought after? In this test of the OM-2s, the little brother of the OM-4, we’ll try and find out why.
The OM system
Launched in the early 70s, the Olympus OM-1 and its system of lenses and accessories were incredibly compact, very well designed, and at the same time solid enough to please the pros and the very serious amateurs. The competition (Nikon in particular) needed years to develop models approaching the size of the OM-1, which sold by the millions.
The OM-2, introduced in 1974 with the same ergonomics and a similar external appearance, was the automatic exposure version of the OM-1. It pioneered the use of direct exposure metering in the film chamber, and was the first camera with Through The Lens Flash metering. The competitors followed Olympus’ example, and almost every SRL cameras introduced after 1985 measures the exposure in the film chamber and offers TTL flash metering.
The OM-2s, OM-3 and OM-4 which followed in the eighties were relatively minor updates of the previous models. They shared a new body and had much more elaborate metering options, but they retained the relatively slow shutter of the OM-1 and OM-2. Their viewfinders were not as great as the ones of the OM-1 and OM-2, and the first models had some reliability issues. The OM-3T and OM-4T (with titanium top and bottom plates and more reliable electronics) raised the level of quality of the OM line, and soldiered on until Olympus finally stopped the production of film cameras, in 2002.