An update on the online marketplaces: buying an old compact camera in 2025

Call it the Instagram effect, but there seems to be a renewed interest for compact, point and shoot cameras – from the late film and early digital times (roughly 1990-2015).(see * at the bottom of this page)

But where to find them? Resellers of used photo equipment like KEH or MPB don’t seem to carry any – which leaves us with marketplaces and auction sites like eBay, Mercari or Shopgoodwill.

Minolta AF-C – an ultra compact “premium” camera from 1983.

For a photographer looking for an old camera, eBay is relatively buyer-friendly – the feedback mechanism gives the cautious user a good tool to evaluate the reliability of the seller, and eBay organizes the shipping and the delivery to ensure that the transaction is satisfactory for the buyer – most of the time. It does not dispense the buyer from being cautious (beware of sellers with no or extremely limited feedback, of succinct item descriptions and of offers too good to be true).

On eBay, buying from the Mecca of old cameras, Japan, is easy – items often get delivered to your doorstep faster than if you bought them from an American vendor. Just be cognizant to the fact that your Japanese seller will probably have a very limited mastery of the English language, and that some of the Japanese camera manufacturers (in fact, most of them) sold specific versions of their cameras on their domestic market, that could only display Japanese menus and could not be reflashed with an “international” firmware. Validate that the camera you want to buy can be configured to the language of your choice, obviously.

A Canon Photura/Epoca – a very strange bridge camera from 1990.

I don’t know Mercari that well – I’ve always been discouraged by obvious red flags on the listings of a significant number of sellers, and I’ve never bought anything from them. In my limited experience with the site, I’ve noticed that they’re not as good as eBay at policing their site, and at banning obvious scams (sellers with zero history proposing a very sought after camera at half of the normal price). Which casts a doubt on the reliability of the whole marketplace. (see ** at the bottom of this page).

The red body+lens combo was bought on eBay, and worked. The white combo was bought on Shopgoodwill, and the lenses did not work. I had not followed my own rule – buy equipment described as “tested” by the vendor.

Shopgoodwill is changing. Contrarily to eBay or Mercari, it’s not a marketplace – it’s simply the on-line auction site of the Goodwill organization. It operates on a very decentralized model – and the photographic knowledge of most of those local organizations is still abysmal. Sometimes the work is divided in such a way that the poor soul entering the description of the item on the web site has never had it in hand, and only has a few low res pictures to work from – to comical effects: I recently saw a coffee mug in the shape of a Canon IS USM 24-105 lens described as a lens.

But a few local Goodwill organizations seem to have significantly stepped up their game recently, and now describe the cameras they sell accurately (they even list the tests they performed and their outcome). And it works – I’ve not had a bad surprise with Shopgoodwill recently. It could also be that – with experience – I’ve become better at separating the wheat from the shaff.

Canon “Canonet” QL17 GIII – Antique markets are generally not a place to buy cameras like this one – but there are exceptions – the seller had a good reputation on the place of Atlanta as a camera repair man.

My rules for buying on Shopgoodwill.com:

1 / Only bid on cameras which have been accurately described and tested, with – in the case of digital cameras – a few photos of their rear LCD to confirm they’re in working order.

2/ Only bid on digital cameras that come with a battery – if there is no battery it’s very likely the cameras were not working when they were donated to Shopgoodwill. If the camera’s battery can’t be recharged without an external battery charger, and that charger is not included, walk away. Consider that batteries and chargers for early digital cameras can be extremely difficult to locate, and seriously expensive. And of course, without a charged battery a camera can not be tested, which brings us back to 1/.

3/ Avoid cameras with a known weak point, or a reputation for aging poorly. There are brands or models I would never buy on Goodwill (almost anything Contax and Yashica, many Pentax models or any premium compact film camera from the nineties). If I wanted such a camera, I would go to a specialized reseller, on their website or on their eBay storefront.

4/ Determine the maximum price you’re willing to pay, and stick to it. Logically, cameras should sell on Goodwill for significantly less than what well known and respected specialized stores would ask on their own web sites or on eBay. As a buyer on Shopgoodwill.com your risk of ending with a lemon is much higher, and you have no recourse because you’re buying “a donated item as-is”. I don’t understand why people are entering bidding wars and end up paying more for an untested piece of equipment than they would pay from a reputable seller on eBay.(see *** at the bottom of this page)

‘For parts or not working”

Nikon D700 – 380,000 actuations the day I bought it on eBay – it hasn’t missed a beat since.

Generally, when an item is described as “for parts, not working”, it’s true. A seller would not advertise a camera as “not working” if it was working. Right?

Well, not always.

I can think of two situations when a camera is advertised as “non working” but is actually capable of taking pictures:

Canon or Nikon include the expected lifespan of the shutter of their pro cameras in their spec sheets (you know that the shutter of a Nikon D850 is good for 200,000 actuations, and that on a Canon 6D Mark II it is good for 150,000 actuations). But of course, it’s simply an estimate. Which probably includes a solid safety margin. Some resellers (the big cameras stores, typically) advertise cameras which have passed their “shutter life limit” as “not working” to absolve themselves from any liability in case the shutter dies two days after the buyer has received the camera.

The other situation is when the seller has limited knowledge of cameras in general (it’s a pawn shop, for instance) or of the quirks of a specific brand or model in particular. They can’t make the camera work, and rather than writing it off completely, advertise it as non-working. It happens. Be sure that somebody more knowledgeable will notice the listing, identify the issue, decide to take the risk and score big.

Davy Crockett – the Alamo – San Antonio, TX. The camera had been advertised as “not working”

(*) On the subject of the current used digicam market, you can read this interesting article from the blog aptly named thephoblographer: THE VINTAGE DIGICAM CRAZE IS AFFECTING SONY PRICES.

(**) – Both eBay and Mercari are making efforts to kick the scammers out of their marketplace – eBay will only pay the sellers after they have shared some form of tax ID with them, and after the Postal Service has delivered the item to the buyer. They also validate that the data provided by the seller (address, bank information) is consistent. On Mercari, participants (sellers or buyers) can opt to have their identity (and their existence) verified by a third party – and upon successful verification a little blue checkmark is added next to their name.

(***) By the way, donations to a charity like Goodwill may be tax deductible, but purchases you make online at Shopgoodwill.com are not. As per Shopgoodwill.com, “When you purchase an item on ShopGoodwill.com you are paying fair market value for the item, therefore purchases made through ShopGoodwill.com are not tax deductible“.


Three recent purchases on Shopgoodwill.com – all three work perfectly.

Abbaye de Fontfroide – France. Fujifilm X100t – another eBay find.

Are film cameras grossly over valued today?

I don’t know what percentage of film cameras collectors actually use them.  But the value of a camera is at least in part related to its capacity to be used … as a camera, and help the photographer shoot good, beautiful, interesting pictures.  Without film, film cameras are little more than paper weights.

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Contax T3 – cameras proposed for sale on eBay 0n 4/24/2020

So if film was to become unavailable, the value of film cameras would change. I don’t believe it’s going to happen anytime soon – Kodak  (Altaris) and Ilford (Harman) are still committed to film because it’s their core business, and Fujifilm will keep one or two film plants running, if only for sentimental reasons. The rebirth of the Polaroid instant film packs (the Impossible Project) and the success of Lomography are also showing that when the big players disengage, boutique producers step in and fill in the void.

Contax T2 - completed listings
Contax T2 – a bit cheaper than the T3. The “completed” listings on eBay show that even if sellers ask for prices in excess of $2,000, the cameras that actually sell are priced a bit more reasonably.

So, let’s assume that film remains available and affordable, and that 35mm film cameras keep a certain usage value. And let’s forget about those commemorative editions, cameras with remarkable serial numbers or other gold plated models, that Leica (and to a lesser extent Nikon), release from time to time for avid collectors. They are destined to be kept forever in their original packaging and in a safe, with no concern for their potential usage value.

In the realm of cameras that actual photographers use to take pictures, Leica cameras hold a special place. They’re “classics“.

On eBay, the price of Leica’s rangefinders has been remarkably stable over the years, with the M5 and the M4 at the bottom of the ladder (around $800), followed by the M2 and M3 a bit above $1,000 (depending on condition, of course). The more modern Leica M (M6, M6 TTL, M7) are selling for two or three times more, reflecting their comparatively higher usage value.

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KEH app – the price asked for the T2 is a bit more reasonable – but still in Leica M territory

Manual focus SLRs designed for enthusiasts or pros, and known to be at the same time simple to use and reliable have seen their value rise spectacularly (Nikon FM2, FE2, FM3a or F3, Canon AE-1, Pentax Super Program or LX), while more complex or less reliable models don’t attract the same high prices (Nikon FA, Canon T90). Those new classics were launched between 1975 and 1985, a decade which is increasingly being seen as the golden age of film SLRs.

dirt cheap
Entry level manual focus SLRs with lots of polycarbonate (Canon T50), or amateur-grade autofocus cameras – nobody wants them and the prices reflect that.

At the other end of the price scale, cameras that did not do very well on the second hand market a few years ago are doing even worse now. The list includes any entry level model from any manufacturer if it was launched after 1980, and almost any autofocus SLR except for the very last enthusiast and pro models, probably because of their good compatibility with the current digital offerings of their respective manufacturer (Nikon F100 and F6, Minolta Maxxum 9 and 7, Canon EOS-3).

Photographs don’t like that those cameras were built out of plastics, with a bizarre feature set (often deprived of useful functions – reserved for the “pro” models – and at the same time loaded with useless gimmicks and encumbered by unconventional controls). And many of them require expensive and hard to find single use Lithium batteries. They have little appeal for today’s would-be film shooters,  and can be had for a few dollars, even from specialized stores.

“La Mode, c’est ce qui se démode”*

What’s hot? Any luxury compact (point and shoot) camera, with a titanium body and a lens with a famous name: the top of the top is occupied by Contax with the T2 and T3: the craze started with a few actors and celebrities in Hollywood posting pictures of themselves shooting with their T2 on Instagram), but similarly positioned models such as the  Leica CM and Minilux or the Nikon 35ti also command big bucks (they’re all in Leica M territory).

Pictured-Kendall-Jenner
Kendall Jenner and a Contax T2. Image Source: Getty / Kevin Mazur/MG18

Cameras like the Olympus XA, and even the Cosina CX-2**, which were far cheaper than the luxury cameras from Contax or Leica in the eighties, have also been contaminated – with sellers asking for hundreds if not thousands of dollars for a somehow basic camera.

cosina CX-2
The Cosina CX-2 – the ancestor of the Lomo LC-A – a cheap camera in its heyday. Prices are all over the map now ($240 to $1,250 for what looks like two cameras in the same condition)

As a conclusion:

Old classics hold their value, new classics are on the rise: if you buy one of those, you may not win big, but you won’t lose money if you decide to resell  it after a few years.

Contax luxury compacts are reaching insane values. They’re nice cameras, with a great little Zeiss lens, and demand currently outstrips supply. But those luxury compact cameras (Contax’s and the others) rely heavily on electronics and generally can’t be repaired if a component goes bad. If you don’t have one already, you missed the boat, and I would not spend thousands of dollars trying to get one. You can also wonder how long will celebrities be seen playing with their T2, pushing demand and prices to the sky? Prices could very well go back to more normal levels in a few years.

leica_cm
Two other Titanium-clad point and shoot cameras (Leica CM and Leica Minilux) selling for more than old Leica M3s

There are still bargains to be found if you’re not obsessed with shooting with a “classic” : the Canon AT-1 has not reached the “new classic” level of the AE-1 and AE-1 Program, and sells for half the price. But in my view, it’s a better camera for an enthusiast photographer. Early Canon EOS cameras  (650, 620) are solid, very pleasant to use (a T90 with matrix metering and without the bugs), and dirt cheap. An entry level camera from the mid eighties, the Pentax P3n, is at least as competent as its more expensive Super Program predecessor, but can still be had for next to nothing. Nikon’s partially motorized N2000/F301 (the manual focus version of the N2020/F501) is also a great buy. So is the Olympus OM-2. Future classics? I don’t think so. But great everyday cameras at a great price, for sure.


(*) “La Mode, c’est ce qui se démode”  (Literally, “Fashion, that’s what going out of fashion” or “Fashion is made to become unfashionable”) – the aphorism is generally attributed to Jean Cocteau and Coco Chanel. Coco Chanel famously added that “Fashion fades, only style remains the same”.

(**) Cosina CX-1 and CX-2  – those cute and very small point and shoot cameras sold reasonably well in the early eighties. With their tiny wide-angle lens they were subject to severe vignetting but they offered more controls to the photographers than the other ultra-compact P&S cameras. A few years later, an almost identical camera was launched as the Lomo LC-A by the LOMO PLC in Saint Petersburg (Russia). The little Lomos were adopted enthusiastically by a group of photographers in Austria, and it started the Lomography movement. But that’s a whole other story.


The Olympus OM-2n – a “new classic” – in my opinion the best camera of the Olympus OM single digit series (OM-1,OM-2, OM-3, OM-4, OM-4ti) for everyday use. Photos shot a few years ago at the Universal Studios in Burbank, CA.

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Universal studios – Burbank CA – the Studio tour – here the house from Psycho. Olympus OM-2n.

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Universal Studio (Burbank, CA) – the set of the movie “Waterworld”. Olympus OM-2n

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Venice Beach (CA). Olympus OM-2n

 

The league of the $5.00 film cameras

How cheap can it get?

The price of used film cameras on eBay is racing to the bottom. No brand is immune – not even Nikon or Leica –  only a few models seem to be worthy of the consideration of the buyers  and still sell for more than $100.00:

  • single digit Nikon F models,
  • Nikon FM2 or  FM3A,
  • Contax 159mm or ST,
  • pristine and tested Canon T90 or Canon New F-1,
  • all rangefinder cameras from Leica and a few of their SLRs,
  • Olympus OM-3t / OM-4t.

The very last high end film auto-focus SLRs of Canon, Minolta and Nikon – such as the EOS-3 and EOS-1 V, the Maxxum 7 and 9, and the F100 and F6 – are also in a a category of their own. As the “ultimate” film SLRs, very close technically from the current dSLRs of the same brand, they can be sold for anything between $200.00 and $2,000.00.

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Olympus OM-2000 – a beautiful member of my $5.00 league

The rest is trending towards being virtually free, and autofocus SLRs fare even worse than manual focus bodies: I recently paid  $3.25 for a nice N6006, a Nikon SLR from the early auto-focus era and $15.00 for a beautiful Minolta 9xi with a good lens,  its original catalog and user manual. We already passed the point where the shipping costs exceed the sale price of the camera, and where a set of batteries can be many times more expensive than the camera itself – the lithium battery of the N6006 cost me $12.00, almost 4 times the price of the camera.

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Nikon N6006 – a very competent auto-focus camera, to be had for less than $5.00 on eBay

For the photographer starting to shoot with film, there has never been a better time to buy a good camera on the cheap. Collectors are more attracted by pro or high-end cameras which were expensive when new, and still are in top condition. The  “last pro or last high-end film cameras manufactured by a given brand…” fare particularly well: a tested and working Pentax LX, a beautiful Olympus OM-4Ti or a Canon EOS-1 V are relatively rare and can sometimes reach prices between $400 and $1,000.

cameras-2-21
Canon AV-1 – It was part of a $8.00 bundle which also included 3 other cameras. In all fairness the other cameras were all defective, but this one worked pretty well.

SLRs  originally positioned as mid level cameras for enthusiasts or experts provide the best opportunities, in particular if you’re willing to accept a few scratches or blemishes on the body: they tend to be much more usable than entry level cameras (they’re almost as feature rich as the high end models, if not as solid), but don’t catch the attention of the collectors because they’re too ordinary and too easy to find.

On my short list of recommended cameras:

Manual Focus cameras: strangely enough, manual-focus cameras from big brands tend to be more expensive than most of their auto-focus SLRs.

Although not as expensive as a T90, a FM3A or an OM-4Ti, the three cameras listed below can still command prices in the $70.00 to $100.00 range. They are very competent tools, they benefit from a large supply of good lenses, and are a great way to move one step higher with  film photography:

  • Canon A-1
  • Nikon FE2
  • Olympus OM-2n

they could be bought in 1983
Nikon FE2 – Canon A-1 – certainly not cheap cameras – but still a bargain at the current price level

You can find cheaper manual focus alternatives – the Olympus OM-2000 is one of my $5.00 cameras, but I’d be more prudent with brands like Fujica (and other brands which did not have strong following on the expert or enthusiast markets). Not that they did not make good cameras – but good lenses are going to be more difficult to find – and without a set of good lenses, a SLR camera is not really worth having.

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Fujica AZ-1 – the camera can be had for cheap, but apart for the ubiquitous 50mm lens and the zoom shown here, Fujinon EBC lenses (operating at full aperture) are rare and expensive.

Auto-focus Cameras: manufactured in the early to mid-nineties by the big four (Canon, Nikon, Minolta, Pentax), they are mature technically, with a good multi-sensor auto-focus, matrix metering, and a long eye point viewfinder. The lenses are still somehow  compatible with the current dSLRs of the brand – and they’re incredibly cheap.  A few examples of the “expert” or “enthusiast” category:

  • Minolta 600si
  • Minolta 9xi
  • Nikon N90s

cameragx-6594
The “prosumer” cameras of the early to mid eighties – they can be yours for $15.00 to $25.00 now, with a (good) zoom included.

Auto-focus cameras designed for amateurs (such as the Minolta 3xi or the Nikon N6006) are the cheapest of them all, but the price difference with the “expert”, “enthusiast” or “prosumer” model of the same brand is minimal (the price of their disposable Lithium battery, roughly). Don’t hesitate. Go for the top of the line.

As usual,  I only recommended cameras I’ve used and liked. I’m sure there are very good auto-focus cameras from Canon (EOS mount), and great manual focus cameras from Minolta (MD mount) or Pentax (K mount). They’re all supported by a great line of lenses and will also constitute very good buys.

One last word…of caution

When you buy a camera for less than $5.00, you don’t always win.

  • shopgoodwill.com  is a very good source for cheap equipment, but you have to consider it’s sold as is, by people  who – generally –  have absolutely no clue of what they’re selling and can’t describe it in any useful way.  To me, it has been a bit of a hit and miss – cameras from the 90s (the Olympus OM-2000, the Minolta 9xi, the Nikon N90s) were diamonds in the rough, and after a good cleaning, they worked perfectly. Older cameras (a Spotmatic, a Fujica AX-3) were broken and could not be fixed. The older the camera, the riskiest it gets. But most cameras are sold with a lens, and even if the camera is defective, the value of its lens alone sometimes makes buying the set a good deal.
  • eBay – thanks to the system of feedback, sellers tend to describe their items with some level of accuracy. In my experience, if you stick with sellers with an almost perfect feedback score (99% or better), and read the item description extremely carefully,  you won’t be disappointed.

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Dogs playing. Nikon N90s – Fujicolor 400 – The Nikon N90s nailed the exposure and the focus perfectly.

 

An alternative to eBay? shopgoodwill.com


eBay has been here for 15 years now. Buyers and sellers had ample time to learn all the tricks of the trade, and if reasonably careful, they face little risk of a really bad surprise.


A significant percentage of the sellers on eBay are professionals, or experts in their field. Others have been using a product for years and can write about its history. Most know the value of the products they’re selling, and how to attract the attention of their audience. They take good pictures of the items they want to sell, and because they want to preserve their hard earned feed-back, they won’t provide blatantly misleading product descriptions.


But if the risk is somehow limited, the odds of scoring big are also getting pretty slim. With more than 200 million registered users, 2 million new auctions a day, and all sorts of search and reporting options, eBay is as transparent as a market can get. If the seller did his home work and followed the rules of the game when posting his listing, more than one buyer will notice, a small bidding war will take place, and the final price of the item will be very similar to the average of what similar items sold for during the weeks preceding the auction.


Shopgoodwill.com – the online auction site of Goodwill Industries – is a much smaller marketplace. Founded in 1999, it “provides a safe and secure venue for Goodwill® member organizations to sell donated items through an online auction“.


The photography related auctions of the day
The photography related auctions of the day


On Shopgoodwill, the cameras and lenses presented for auction have been donated, and the people describing the products know very little about their past. Most of them are not specialists of photographic equipment, either. They do not want to raise false expectations, and will stay extremely conservative in their assessments. In the best case, they will write that the product “appears to be in a good condition” or that it “appears to be working”, but all items are sold as is.


The item descriptions are sometimes very generic (“Nikon Camera”) or written by someone who can’t tell the difference between a filter and camera (“Hoya 49mm camera made in Japan”). The quality of the pictures of the items improved significantly lately, but they are still low res, and it’s often difficult to find out what’s really being sold.


While not as large as eBay, the number of potential buyers is far from small, and the odds are that a rare and valuable item will be discovered by more than one buyer. I’ve seen a few Leica cameras for sale on Shopgoodwill, and they all fetched good prices. But I’ve also seen nice vintage cameras stay unnoticed.


So where is the fun? Shopgoodwill is like a garage sale or a flee market. Tonight 27,000 film cameras were listed on eBay. Less than 300 were listed on Shopgoodwill. You have relatively few items to look at, and you can go rapidly through the list of cameras or lenses being auctioned. The product descriptions are not always very good, but lovers of old equipment will raise to the challenge and put their geekiness to good use, with the hope of discovering a true gem.


Example of a listing on Shopgoodwill.com


Buying a camera or a lens at Shopgoodwill is a bit of a gamble. The intentions of the sellers are undoubtedly good, but their expertise is somehow limited, and the buyer will know little about the true condition of the item he’s bidding for. I never had the guts to buy a really expensive camera or lens on Shopgoodwill, and I never spent more than $30 on an item.


The camera I bought (a Praktica camera sold under the “Cavalier” name in the US) was cosmetically nice, and ended up working after some TLC, in spite of its old age. I also bought a lens, on a separate occasion. Although a bit dirty, it was in good general condition, and proved to be a very nice item once cleaned. A good experience overall. Try your luck too; it’s for a good cause.



More about Shopgoodwill.com
The presentation of the Shopgoodwill site by Goodwill Industries
A review of Shopgoodwill by Time: 50 best Websites 2009: Shopgoodwill.com



Olympus OM-1 / Praktica LTL - The Praktica (sold as a Cavalier in the US) was bought on Shopgoodwill.com.

Buying photo equipment on eBay


I bought most of my cameras and lenses on ebay.com, sometimes through auctions, sometimes at  “buy it now” prices. I never had a bad experience so far.


If you buy on eBay, you will face three types of sellers:

  • on-line stores specialized in photographic equipment, new or second hand.


That’s the low risk option. Some stores limit their inventory to a few brands, and only carry high quality, very nice to pristine cameras. Others are less restrictive, and also have cameras which have lived a more difficult life. If your intention is to really use the camera you’re purchasing, buying a comestically challenged camera may be a good option, as long as it’s in good mechanical condition. Specialized stores are supposed to know what they sell, and will not plead ignorance if the product does not work or is not completely similar to the published description. They will arrange for a free return, and a refund.


A word of caution, though: the products are evaluated before being listed, and the obvious lemons don’t pass, but the tests are not always as thorough as one would wish: a lens may have looked OK when tested on a particular type of body, but will fail to operate on another one, which is in theory 100% compatible but is interacting with the lens differently. Always test the equipment you purchased as soon as you receive it, and contact the seller if there is any issue. Reputable stores will listen to you, and they have a good return policy.


Over the years, I bought cameras or lenses from Adorwin (the eBay store of Adorama), Betteroffblu, Cameta and Shutterblade and could appreciate their professionalism.

  • Stores not specialized in photography


That’s the riskiest option, in my opinion. The store could be anything, from a pawn shop to an antique dealer, the worst being a dollar store or a shady repair shops buying broken electronic equipment in bulk and making one sellable camera out of 3 broken ones. Even if they know a few things about the products they’re selling, they will generally plead ignorance, and will offer little or no support if there is an issue with the equipment. I never had a really bad experience on eBay, but it’s with this type of seller that I came the closest to being seriously disapointed. Buyer beware.

  • Low volume and non professional sellers


Low volume sellers belong to multiple sub categories. You will see items sold by a person who pretends he got the equipment he’s selling from a friend but that he knows nothing about it, and  you will find the passionate amateur photographer who bought his equipment new 20 years ago, used it day in day out and took great care of it; he will take pride in providing a honest and accurate description of his equipment, and that’s the person you want to be buying from.


Because of the way the auctions work, the prices tend to be highly variable and very unpredictable. Professional sellers tend to protect themselves with a “buy-it-now” price, and if the item does not sell this time, they just list it again. Non professional sellers tend to use the auction system more than professionals. With the number of people watching eBay listings every day, it’s difficult to find a real bargain, but some sellers (lazy or inexperienced) still publish unappealing listings (blurry pictures, ambiguous descriptions) that a trained bargain hunter will be able to interpret to his advantage: I bought my Nikon F3 this way, at 30% of what the action would have reached if the listing had been professionally layed out.


As always, do your homework and try and understand the market first (ads in magazines, completed items list on eBay). Set a limit for the price of the equipment you want to buy second hand. In any case, read the ads very carefully, ask questions, and only place a bid if you feel confident enough.


Other reputable sources

  • keh.com


    I never had the opportunity to buy second hand equipment from keh, but good friends did. keh has the reputation of being very conservative in the way they describe the equipment they’re selling (if they say it’s in good condition, then it’s very very good). They only sell over the phone or on the Internet – no walk-ins.

  • bhphotovideo.com


    B&H is a big photo video mail to order company, with a huge brick and mortar store in New York. I bought new equipment from them on multiple occasions. A very pleasant experience. I never had the opportunity to buy second hand equipment from them, though.



Feel free to share your comments and experiences. Thank you.


Nikon FE2
Nikon FE2