The “DP” in dpreview stands for “Digital Photography” of course, and the site was launched in 1998, at the beginning of the digital camera craze. And they’ve never reviewed a film camera. As far as I know. But over the years, they compiled two lists of recommended, “excellent and affordable” film cameras, the first one in 2017, with a follow up in June 2019.
A few of the cameras listed as “analog gems” by DPreview have been presented in this site over the years (the Nikons FE2, N90, the Olympus OM-1 and the Canon T90). Very often, my preference goes to other models of the same family (I prefer the Olympus OM-2 to the OM-1 because its battery is much easier to find, the Canon AT-1 to the AE-1 because I’m not a fan of shutter speed priority automatism, and the EOS-620 to the EOS-5 for its simplicity).
I’ve never been a fan of compact cameras in the days of film (poor viewfinder, not enough controls for the photographer). Their only advantages were their small size and their ease of use, but a film SLR with a pancake lens was not much larger and delivered much better images. And today, why would you spend money on film and processing to use a compact camera which will give you less control over your images than a good smartphone?
My absolute favorite? The ones I would bring on the proverbial desert island (assuming the desert island has no electricity, no Internet access but a huge stack of film cartridges waiting for me)?
- a compact, mechanical, semi-auto SLR – not the Olympus OM-1, not the Pentax MX, but the rugged and supremely reliable Nikon FM. The FM2 is probably an even better camera, but it’s also more expensive.
- the most elaborate pre-autofocus SLR, the Canon T90, for the looks, the ergonomics, the crazy exposure system, with no concern for its questionable reliability or its mass, because I would always have the Nikon FM as a backup.
And of course, when I would be back from the desert island, I would reconnect with my cherished Nikon FE2…