For three years now, Arstechnica has been comparing images of a same scene taken with a high-end smartphone, and with two good full frame dSLRs. By the way, one of the two cameras they tested was Sony’s A7 II, which is a full frame mirrorless camera, not a dSLR, but we’ll ignore this detail . They just published the latest iteration of their tests:
Just a quote: “phones long ago left “good enough” territory; images produced by a modern smartphone like the iPhone 7 Plus or Google Pixel can be flat-out excellent when the images are constructed to play to the smartphones’ strengths.” (Lee Hutchinson)
No wonder the camera maker are now preparing Full Frame or Medium Format digital cameras with 50 MegaPixel sensors. Trying to maximize the advantages of a conventional camera for the situations when the smartphone is not good enough.
Chicago – iPhone 5S
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I started this blog in 2009. And wrote most of the entries between September 2009 and Sept 2010.
Between 2012 and 2015, I did not do much in terms of photography. I did not use my film cameras anymore – too cumbersome – forgot about my DSLR – too large, too heavy. I bought a Nikon V1 mirrorless camera – and got rid of it rapidly, very disappointed by the image quality. In fact, I spent the last four years taking pictures with my iPhone.
At the end of last year, while travelling for business, the desire to take better pictures than what an iPhone could do came back. I bought a $200.00 point and shoot Sony camera, and was so impressed by its technical abilities that I … returned it immediately to buy a second-hand Sony mirrorless camera – a rather scruffy NEX 6 with the tiny 16-50mm Power Zoom. I liked the NEX 6 so much that I decided to invest seriously in the Sony system. The week after I bought it, I returned the NEX to the vendor, and upgraded to a clean and shiny A6000 with a Sony-Zeiss prime lens. In the process, I sold my old Nikon DSLR and a few Nikon F mount lenses.
Atlanta- Centennial Park – Shot in June 2016 with a Sony A6000 and a Nikon 24mm f/2.8 AF (non D) lens
Unfortunately, I could never adjust to the ergonomics and idiosyncrasies of the A6000 (it’s made by engineers specialized in electronics under the guidance of marketing people, not by photographers). The sensor is really great, but I did not like the APS-C Sony zooms – too much distortion with the cheap ones, fear of quality control issues with the expensive ones. I did not like the cost of their prime lenses (the real good ones are very expensive), and had doubts about the commitment of Sony to its APS-C line of products – it’s all about the A7 and its full frame sensor nowadays. Looking for something totally different, I bought a Fujifilm X100. I liked it. A camera designed by photographers for photographers. Comforted by the experience, I decided to bite the bullet, and sold all my Sony equipment to pay for a second hand X-T1 and its 18-55 zoom. I positively love my Fujifilm cameras, and I should keep them for a long time.
With my passion for photography re-ignited, I’m re-activating this blog.
In the first entries, I’ll focus on what changed in the world of photography in the last 5 years – the rise of the smartphone, the disappearance of color film as a mass consumption product, and the parallel rebirth of true black and white and instant film à la Polaroid. Then I will go back to what constitutes the core of this blog – giving old gear a new life.
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