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		<title>Gone fishing?</title>
		<link>http://cameragx.com/2010/09/19/gone-fishing/</link>
		<comments>http://cameragx.com/2010/09/19/gone-fishing/#comments</comments>
		<pubDate>Sun, 19 Sep 2010 12:17:00 +0000</pubDate>
		<dc:creator>xtalfu</dc:creator>
				<category><![CDATA[Gear]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Olympus cameras]]></category>
		<category><![CDATA[Sony SLT-55; Fujifilm EXR; EXR; Fujifilm; Olympus OM-2n; autofocus; phase detection; contrast detection]]></category>

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		<description><![CDATA[Well, not really. I&#8217;m working on the next series of blog entries: evaluations of the different options for having film processed and scanned, now that the minilabs around the corner don&#8217;t &#8220;do&#8221; film anymore. I didn&#8217;t reach a definite conclusion yet, but I already know one thing for sure. It&#8217;s not going to be cheap. [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cameragx.com&amp;blog=9034847&amp;post=1922&amp;subd=cameragx&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<div id="attachment_1921" class="wp-caption alignleft" style="width: 710px"><a href="http://cameragx.files.wordpress.com/2010/09/hilton-3.jpg"><img src="http://cameragx.files.wordpress.com/2010/09/hilton-3.jpg?w=700" alt="Hilton Head (SC) - Labor Day Week-End" title="Hilton Head (SC) - Labor Day Week-End" width="700" class="size-medium wp-image-1921" /></a><p class="wp-caption-text">On the beach - Labor Day Week-End. Hilton Head, SC - Olympus OM-2 - 28mm f:3.5 - Fuji Superia X-Tra 400 ISO</p></div>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
Well, not really. I&#8217;m working on the next series of blog entries: evaluations of the different options for having film processed and scanned, now that the minilabs around the corner don&#8217;t &#8220;do&#8221; film anymore. I didn&#8217;t reach a definite conclusion yet, but I already know one thing for sure. It&#8217;s not going to be cheap. It will for sure change the way I use film. </p>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
As long as processing and scanning were relatively inexpensive, I tended to take some risks &#8211; testing old cameras of unknown quality and bracketing a lot. Expensive lab services will bring me back to a more prudent approach &#8211; using better equipment, and  paying more attention to my images while I&#8217;m shooting.</p>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
I  started testing my latest acquisition, a very nice Olympus OM-2n, on a quick trip to Hilton-Head (South Carolina) a few weeks ago. But I have very few pictures to show at the moment, because of issues with the quality of pictures coming back from the labs I&#8217;m trying to evaluate.</p>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
The <a href="http://">Photokina</a> is about to open in Cologne. The most interesting innovations are coming from Sony and Fujifilm. Sony&#8217;s <a href="http://www.dpreview.com/reviews/sonyslta55/">SLT-A55</a> still looks like an SLR, it still uses the Sony-Minolta-Konica A-mount lenses, but its conventional reflex mirror has been replaced with a semi transparent  film. Reflex cameras with a semi transparent mirror are no news: Nikon and Canon have used this type of design on multiple occasions, when they wanted to propose high speed cameras (up to 13 images per second for the <a href="http://www.mir.com.my/rb/photography/hardwares/classics/nikonf3ver2/variations/f3hspeed/index.htm">Nikon F3 High Speed</a>) while getting rid of the finder black-out during exposure. But the motives are different this time. It&#8217;s about adjusting the focus when shooting videos.</p>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
<div id="attachment_1933" class="wp-caption alignleft" style="width: 460px"><a href="http://cameragx.files.wordpress.com/2010/09/pelliclemirror.jpg"><img src="http://cameragx.files.wordpress.com/2010/09/pelliclemirror.jpg?w=450" alt="Sony SLT-A55 Pellicle Mirror" title="Sony SLT-A55 Pellicle Mirror" width="450" class="size-medium wp-image-1933" /></a><p class="wp-caption-text">Sony SLT-A55 Pellicle Mirror</p></div></p>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
There are currently two ways to control the focus on a digital <a href="http://en.wikipedia.org/wiki/Autofocus">autofocus</a> camera. The simpler and cheaper way is to measure the contrast of the image directly on the sensor. The contrast of an image is supposed to be at its maximum when the image is in focus. So the camera moves the focusing elements of the lens forward and backwards until it finds the focusing distance which maximizes the contrast. This method is used primarily on Point and Shoot cameras, because the focusing process tends to be frustratingly slow and unacceptable for action photography.</p>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
Autofocus SLRs have been using another method, named Phase Detection. Specialized components (semi transparent mirrors, micro-lenses and dedicated sensors positioned under the reflex mirror) calculate the optimal focusing distance and then &#8220;ask&#8221; the lens to position its focusing elements for that distance. Focusing is much faster and less prone to errors, but it requires more hardware and &#8211; in the conventional SLR design &#8211; it can only operate before the photographer presses the shutter release and the mirror has started moving out of the light path &#8211; which makes it unsuitable for video. </p>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
Here comes Sony. The semi transparent mirror of the SLT-A55 camera is only used to direct enough light to the Phase Detection autofocus system, because there is no conventional optical viewfinder anymore. It is replaced with a good (by current standards) electronic viewfinder, fed directly by the camera&#8217;s main image sensor. Of course, the semi transparent mirror is taking 33% of the light from the main imaging sensor, but it&#8217;s an acceptable drawback in the current state of technology.</p>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
There is an even better way to solve the problem tough. A few weeks ago, Fuji presented a new point and shoot camera, the <a href="http://www.fujifilm.com/products/digital_cameras/f/finepix_f300exr/features/index.html">FinePix F300EXR</a>,  whose Hybrid Autofocus system operates most of the time in Phase Detection Mode, with the option to roll back to Contrast Detection in low light situations.</p>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
 <a href="http://www.dpreview.com/">dpreview</a> wrote a very well documented subject about <a href="http://www.dpreview.com/news/1008/10080505fujifilmpd.asp">Fujifilm&#8217;s  Hybrid AF</a>. To make a long story short, some of the photodiodes of the FinePix&#8217;s imaging sensor serve double duty: they contribute to the production of the overall image, but they also feed a Phase Detection focus determination algorithm. It may still need some work (read this <a href="http://en.akihabaranews.com/58115/review/fujifilm-300exr-a-serious-upgrade-but-not-a-killer-against-other-serious-point-shoot">review from AKIHABARAnews</a>), but on paper it&#8217;s a simple and elegant solution. Not surprisingly, Sony has a patent for an <a href="http://www.google.com/patents?id=qJvIAAAAEBAJ&amp;pg=PA3&amp;source=gbs_selected_pages&amp;cad=2#v=onepage&amp;q&amp;f=false">equivalent technology</a>, and Panasonic is rumored to be working on another variant of the same idea.</p>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
10 years after the introduction of the first mass produced dSLRs by Canon and Nikon, digital photography has reached maturity. For the first ten years, manufacturers focused their attention on the sensors and on the processing algorithms, and retained the architecture of the AF SLRs from the mid eighties, which was itself derived from designs of the thirties. Now that the basic problems have been solved and that the consumers are happy with the equipment they own, manufacturers have to explore completely different routes if they want keep their production lines busy. Interesting times ahead.<br />
<div id="attachment_1938" class="wp-caption aligncenter" style="width: 530px"><a href="http://cameragx.files.wordpress.com/2010/09/diagram.jpg"><img src="http://cameragx.files.wordpress.com/2010/09/diagram.jpg?w=520" alt="Fujifilm Phase Detection AF (Hybrid AF)" title="Fujifilm Phase Detection AF (Hybrid AF)" width="520" class="size-medium wp-image-1938" /></a><p class="wp-caption-text">Fujifilm Phase Detection AF (Hybrid AF) - Image Courtesy of Fujifilm</p></div></p>
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			<media:title type="html">xtalfu</media:title>
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			<media:title type="html">Hilton Head (SC) - Labor Day Week-End</media:title>
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			<media:title type="html">Fujifilm Phase Detection AF (Hybrid AF)</media:title>
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		<title>It&#8217;s getting harder to have film processed around here</title>
		<link>http://cameragx.com/2010/08/29/its-getting-harder-to-have-film-processed-around-here/</link>
		<comments>http://cameragx.com/2010/08/29/its-getting-harder-to-have-film-processed-around-here/#comments</comments>
		<pubDate>Sun, 29 Aug 2010 01:44:12 +0000</pubDate>
		<dc:creator>xtalfu</dc:creator>
				<category><![CDATA[Gear]]></category>
		<category><![CDATA[How to]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[film photography]]></category>
		<category><![CDATA[film processing; scanning; costco;noritsu;minilab;mail to order]]></category>

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		<description><![CDATA[So far, I was lucky. My local Costco warehouse was still processing film: I could drop a 35mm cartridge and have it processed, scanned and transferred to a CD in less than 60 minutes, for less than $5.00. The scanning was done on a good Noritsu machine, correctly tuned, which produced 3000 x 2000 digital [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cameragx.com&amp;blog=9034847&amp;post=1886&amp;subd=cameragx&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<div id="attachment_1709" class="wp-caption alignleft" style="width: 460px"><a href="http://cameragx.files.wordpress.com/2010/06/high_museum_ata-4.jpg"><img src="http://cameragx.files.wordpress.com/2010/06/high_museum_ata-4.jpg?w=450" alt="Ferrari 250 GT Comp./61 SWB (1961)" title="Ferrari 250 GT Comp./61 SWB (1961)" width="450" class="size-medium wp-image-1709" /></a><p class="wp-caption-text">Ferrari 250 GT Comp./61 SWB (1961) - The Allure of the Automobile - Atlanta  (Olympus OM-2s - Processed and scanned at Costco, in May 2010)</p></div>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
So far, I was lucky. My local Costco warehouse was still processing film: I could drop a 35mm cartridge and have it processed, scanned and transferred to a CD in less than 60 minutes, for less than $5.00. The scanning was done on a good Noritsu machine, correctly tuned, which produced 3000 x 2000 digital images, equivalent to what a 6 Mpixel sensor would capture. The color balance was right, the accentuation minimal, and the saturation was kept within reasonable limits.</p>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
Last week, the Noritsu was gone. The employee at the counter directed me to another Costco warehouse, in another part of town. They could develop the film, they could scan it, but could not transfer it to a CD because the CD burner was out of service. I had to come back two days later to get my CD, on which the pictures happened to be over saturated with a rather narrow dynamic range. Not encouraging.</p>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
I&#8217;m afraid I will have to find another solution. I will try different options (other local minilabs, mail to order, pro labs), and I will report on my findings.</p>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
If you can recommend a good lab in the Atlanta area or a good mail to order service, please feel free to do so.</p>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
Thank you</p>
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			<media:title type="html">xtalfu</media:title>
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			<media:title type="html">Ferrari 250 GT Comp./61 SWB (1961)</media:title>
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		<title>Lobbying to make the use of film mandatory?</title>
		<link>http://cameragx.com/2010/08/27/lobbying-for-film/</link>
		<comments>http://cameragx.com/2010/08/27/lobbying-for-film/#comments</comments>
		<pubDate>Fri, 27 Aug 2010 01:47:54 +0000</pubDate>
		<dc:creator>xtalfu</dc:creator>
				<category><![CDATA[Gear]]></category>
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		<category><![CDATA[apple]]></category>
		<category><![CDATA[film industry]]></category>
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		<category><![CDATA[NAB]]></category>
		<category><![CDATA[RIAA]]></category>
		<category><![CDATA[smartphones]]></category>
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		<description><![CDATA[You may have read about this last week &#8211; the immensely popular RIAA and the always forward looking NAB, representing respectively our beloved recording industry and the owners of radio stations, are teaming to lobby the US Congress in order to make FM radio receivers mandatory on every cell phone or smartphone sold in this [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cameragx.com&amp;blog=9034847&amp;post=1868&amp;subd=cameragx&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
<div id="attachment_1872" class="wp-caption alignleft" style="width: 410px"><a href="http://cameragx.files.wordpress.com/2010/08/hollywood-boulevard-la-1.jpg"><img src="http://cameragx.files.wordpress.com/2010/08/hollywood-boulevard-la-1.jpg?w=400" alt="White Elephant - Hollywood Boulevard - Los Angeles" title="Hollywood Boulevard-LA-1" width="400" class="size-large wp-image-1872" /></a><p class="wp-caption-text">The symbol of an industry? Two white elephants sit at the top of columns on Hollywood Boulevard. </p></div></p>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
You may have read about this last week &#8211; the immensely popular RIAA and the always forward looking NAB, representing respectively our beloved recording industry and the owners of radio stations, are teaming to lobby the US Congress in order to <a href="http://www.dailywireless.org/2010/08/23/nab-every-cellphone-must-receive-fm-radio/">make FM radio receivers mandatory</a> on every cell phone or smartphone sold in this country.</p>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
Cell phones have been available for more than 15 years now, and the few manufacturers who tried to sell cell phones with built in FM radio did not see any explosion of their sales volume. Ten years ago, the  buyers of cell phones didn&#8217;t see the need of an integrated FM receiver, and now that Internet radios and Pandora are available, there are even less reasons to place a good old FM tuner in a brand new 3G smartphone.</p>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
By the way, what&#8217;s the justification for putting an FM receiver in a cell phone? Public safety. According to the NAB, cell phone users would be able to listen to emergency messages on their favorite FM radio station.</p>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
Too bad the photographic film industry did not have the same imagination.  Or they could have imposed <em>35mm Film Cameras</em> in candy bar cell phones, and <em>Instant Film cameras</em> in smartphones. Cell phone carriers would have obliged the film industry by proposing two year agreements including two new cartridges of film per month. And the justification would have been national security, of course. </p>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
Imagine the business opportunities. Apple negotiating a 5 year exclusivity with Polaroid, Verizon smartphones printing two copies of the same picture for the price of one. And another carrier imposing hefty fees for the consumers who did not burn their 48 pictures during the last 30 days.</p>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
We really missed something.</p>
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		<title>The Allure of the Automobile &#8211; until June 27th, Atlanta High Museum of Art</title>
		<link>http://cameragx.com/2010/06/17/the-allure-of-the-automobile-until-june-27th-atlanta-high-museum-of-art/</link>
		<comments>http://cameragx.com/2010/06/17/the-allure-of-the-automobile-until-june-27th-atlanta-high-museum-of-art/#comments</comments>
		<pubDate>Thu, 17 Jun 2010 01:30:26 +0000</pubDate>
		<dc:creator>xtalfu</dc:creator>
				<category><![CDATA[Books and magazines]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Olympus cameras]]></category>
		<category><![CDATA[Atlanta High Museum Art Allure Automobile Olympus OM-2s Pierce Arrow Chevrolet Corvette Sting Ray]]></category>

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		<description><![CDATA[It is very unusual for an art museum to have cars on display. Maybe one. Or two. But eighteen? Eighteen unique or extremely rare hand built cars, selected by a true car lover for the beauty of their bodies, and the quality of the craftsmanship. Works of art. The High Museum of Art of Atlanta [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cameragx.com&amp;blog=9034847&amp;post=1713&amp;subd=cameragx&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
It is very unusual for an art museum to have cars on display. Maybe one. Or two. But eighteen? Eighteen unique or extremely rare hand built cars, selected by a true car lover for the beauty of their bodies, and the quality of the craftsmanship. Works of art. The High Museum of Art of Atlanta is presenting &#8220;the Allure of the Automobile&#8221;, until June 27th.</p>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
<div id="attachment_1712" class="wp-caption alignleft" style="width: 460px"><a href="http://cameragx.files.wordpress.com/2010/06/high_museum_ata-1.jpg"><img src="http://cameragx.files.wordpress.com/2010/06/high_museum_ata-1.jpg?w=450" alt="Pierce Arrow Silver Arrow (1933)" title="Pierce Arrow Silver Arrow (1933)" width="450" class="size-medium wp-image-1712" /></a><p class="wp-caption-text">Pierce Arrow Silver Arrow (1933) - The Allure of the Automobile - Atlanta (Olympus OM-2s -28 mm - Kodak Ektar 100)</p></div></p>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
I like cars, and I have visited more than a few car museums, and I&#8217;ve probably never seen so many remarkable cars under the same roof. A Duesenberg and a Packard, both built for Clark Gable, a Pierce Arrow &#8211; so modern, a Ferrari berlinetta which won its class at the 24 Hours of Le Mans, Steve McQueen&#8217;s Jaguar &#8211; a loud brute as could be expected, the Porsche 550 which earned the &#8220;Carrera&#8221; name for its remote descendants, the prototype of the Chevrolet Corvette Sting Ray. </p>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
Some of the cars shown at the High are also technically significant or innovative , but all are stunningly beautiful. </p>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
Taking pictures in a museum is never easy, and, shame on me, I came unprepared. I only had an old Olympus SLR with a 28mm lens and 100 ISO film, and the few pictures I took can not be compared with the images posted on the <a href="http://www.high.org/main.taf?p=3,1,1,17,2">Web site of the High Museum of Art</a>, or with the wonderful pictures of <a href="http://www.amazon.com/Allure-Automobile-Driving-Style-1930-1965/dp/0847834956/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1276739089&amp;sr=1-1">the book celebrating the exhibit</a>(&#8220;The Allure of the Automobile&#8221; &#8211; Ronald T. Labaco &amp; Ken Gross). But the Olympus OM-2s did a very good job, with a precise exposure and very few vibrations. More about the Olympus OM family soon.</p>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"></p>
<hr />
<div id="attachment_1707" class="wp-caption aligncenter" style="width: 710px"><a href="http://cameragx.files.wordpress.com/2010/06/high_museum_ata-6.jpg"><img src="http://cameragx.files.wordpress.com/2010/06/high_museum_ata-6.jpg?w=700" alt="Chevrolet Corvette Sting Ray (1959)" title="Chevrolet Corvette Sting Ray (1959)" width="700" class="size-medium wp-image-1707" /></a><p class="wp-caption-text">Chevrolet Corvette Sting Ray - The Allure of the Automobile - Atlanta (Olympus OM-2s -28 mm - Kodak Ektar 100)</p></div></p>
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			<media:title type="html">Pierce Arrow Silver Arrow (1933)</media:title>
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			<media:title type="html">Chevrolet Corvette Sting Ray (1959)</media:title>
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		<title>French Photographer Willy Ronis dies at 99</title>
		<link>http://cameragx.com/2009/09/13/french-photographer-willy-ronis-dead-at-99/</link>
		<comments>http://cameragx.com/2009/09/13/french-photographer-willy-ronis-dead-at-99/#comments</comments>
		<pubDate>Sun, 13 Sep 2009 11:34:21 +0000</pubDate>
		<dc:creator>xtalfu</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Ronis]]></category>
		<category><![CDATA[Willy Ronis]]></category>

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		<description><![CDATA[Willy Ronis passed away on Sept. 12th. With Robert Doisneau, he was one of the most prominent representatives of the so-called humanist school of photography. He became the first French photographer to work for Life. He will remain famous for his black and white scenes of Paris streets, of Provence and his nudes. More about [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cameragx.com&amp;blog=9034847&amp;post=640&amp;subd=cameragx&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
Willy Ronis passed away on Sept. 12th. </p>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
With Robert Doisneau, he was one of the most prominent representatives of the so-called humanist school of photography. He became the first French photographer to work for Life.</p>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
He will remain famous for his black and white scenes of Paris streets, of Provence and his nudes.</p>
<div id="attachment_643" class="wp-caption alignleft" style="width: 710px"><br />
<a href="http://cameragx.com/2009/09/13/french-photographer-willy-ronis-dead-at-99/williy-ronis-bastille/"><img src="http://cameragx.files.wordpress.com/2009/09/williy-ronis-bastille.jpg?w=700" alt="Willy Ronis - Les Amoureux de la Bastille - 1957" title="Willy Ronis - Les Amoureux de la Bastille - 1957" width="700" class="alignleft size-medium wp-image-643" /></a><p class="wp-caption-text">One of the most famous pictures of Willy Ronis - Les Amoureux de la Bastille - Paris - 1957</p></div>
</p>
<hr />
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
<strong>More about Willy Ronis</strong><br />
</P></p>
<p style="font:15px Arial;color:#463c3c;margin:0;"><span style="letter-spacing:0;"><br />
<a href="http://www.artnet.com/artist/14483/willy-ronis.html">A selection of pictures on Artnet</a><br />
<a href="http://en.wikipedia.org/wiki/Willy_Ronis">The Willy Ronis page in Wikipedia</a><br />
</hr>
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			<media:title type="html">Willy Ronis - Les Amoureux de la Bastille - 1957</media:title>
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